Movie Review: Two (2021)

Two / Dos (dir. Mar Targarona, 2021) – A couple wakes up to find themselves imprisoned in a strange room, with their abdomens sewn to each other.


Two strangers awaken in an unimaginable nightmare, in which they are sewn skin-to-skin and left alone in a locked room. This isn’t one of John Kramer’s demented games. Ostensibly reliant on the controversy of body horror and so-called torture porn, Dos veers in an unexpected direction, showing only glimpses of the disconcerting mutilation before having them hide it beneath white sheets.

Fear turns into anger as the couple begins to suspect each other to be the cause of their predicament. David (Pablo Derqui) admits to being an escort, who may have accepted a carnal request from the wrong man. Sara (Marina Gatell) isn’t off the hook either, for her jealous husband may just have had a hand in the twisted surgery.

Two can play this game.

Revelations come pouring, fast. A tight 70-minute runtime plays to the film’s advantage, allowing for minimal wallowing. With just the two of them on screen, it isn’t so much the disconcerting premise in the limelight anymore, but the two lead performances. Their acting is fortunately serviceable, so long as one sticks with subs over dubs.

If only their improbable movements didn’t mar their credibility by a little. The couple sometimes turns at inconsistent angles with unlikely ease, making suspension of disbelief difficult. Even so, it is still exceedingly easy to be drawn into the couple’s tango of words purely on account of intrigue; anyone would be compelled to decipher every little clue to the psychotic mastermind’s intent.

“We’re calling it even.”

Things appear to be driven by more than good old-fashioned revenge too; the Two in the title doesn’t merely refer to them. Everything in the room comes in pairs, set up with deliberate symmetry. It all points to a thinking madman pulling the strings, waxing philosophical on their plight behind the curtains.

But this concept of duality doesn’t follow till the end. Contrarily, there is no good reason for the morbidity. The reveal of the puppeteer’s motive comes fairly uninspired, at odds with expectations built thus far. A well-shot finale just isn’t enough as the experimental film eventually fizzles out and comes to nothing.

A meticulous set-up teases a bigger ploy that exceeds mere shock value, only to be let down by an underwhelming twist.

Two is now on Netflix.


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