Category Archives: Series Reviews

Series Review: Stranger Things (2016)

Stranger Things (dir. Duffer Brothers, 2016) – A young boy disappears in small town Hawkins. To find him, his family and friends are forced to confront unknown terrors…


Taking cues from its 80s influences without falling into pastiche, Stranger Things stands as proof that there are far better alternatives to remakes.



There is a new Stephen King classic that isn’t created by Stephen King. Matt and Ross Duffer are the Gans of the King-esque Stranger Things, a Netflix eight-parter that has gone to 11 where recent horror films hover at 10.

Set in 1983, the series follows the sudden disappearance of 12-year-old Will Byers, which sparks off strange happenings in Hawkins, Indiana. Joyce Byers hears whispers from the walls and believes her son is reaching out from a world beyond. Shadows of Videodrome and Poltergeist cast over the suburban tale of terror, as she soon hears him singing through the radio.

Three kids – Mike, Dustin and Lucas – join the desperate search for their missing friend. Instead, they find a young girl in their path. They come to know her as Eleven and grow interested in her secretive past. Therein lies answers that she does not know or dare to reveal.

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Series Review: Hannibal (2013)

Hannibal (by Bryan Fuller, 2013) – Renowned psychiatrist Hannibal Lecter forms a relationship with FBI criminal profiler Will Graham, fascinated by the latter’s empathy with serial killers.


All the awards for this series, please.



It’s that time of the year again: the awards season. Before the Emmys award ceremony takes place tomorrow, I would like to file a formal complaint. Hannibal was robbed. The Emmys has completely snubbed Hannibal for the following accolades:

5. Outstanding Art Direction / Directing

There is no way to look past Hannibal‘s impressive cinematography, symbolic and lush in its details. That is even if the food is people. The beef is people, the lamb is people, so is the water. Hell, even cellos and bloody totem poles are people. This is a show that takes body horror to a whole new level, and we wouldn’t have it any other way.

Hearts of cinephiles dance to see Stanley Kubrick’s familiar design of symmetrical discomfort, one of many nods towards classics in the horror genre and beyond. There is commendable aesthetics in the gruesome art of terror, and Hannibal proves that.

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Series Review: Misfits (2009)

Misfits (by Howard Overman, 2009) – During their community service, a freak storm grants five delinquents odd, dangerous abilities.


The Misfits are here saving the superhero genre from banality with wit and humour.



The superhero trend keeps a-rolling. The novelty of the genre seems to be fading. Popular originals are exhausted. Sequels fall back onto classic comic series for overused heroes and villains alike. Armed with a couple of good ideas, the freshly cancelled Heroes banded a refreshing gang, only to jump the shark early in the game.

Of course, there has been some successful *cough*Batman*cough* exceptions. But some new faces would be great to see. Enter the young Misfits, here to revive the tired genre and break the lasting monotony.

Continue reading Series Review: Misfits (2009)

Series Review: Supernatural Season 5 (2009)

Credit: CW Television Network

They say the Supernatural fandom is mostly insane, sometimes creepy. They say that the overt obsession have quite regularly frightened both cast and crew. This is all true.

While it sounds unsettling, what it really means for the show is an undying viewership that has kept it going all these years. Such successful ratings are rare for a horror series, and credit is largely due to the charismatic Winchesters who make every second of the ghost-busting journey worthwhile.

It has been years, and the brothers have come far from where their father’s journal pointed to. Facing infinite demons both physical and their own, they have seen hunters kill without blinking and bloodthirsty demons act on good conscience.

The new season had been an equally intriguing one, with Lucifer hounding the brothers for souls and such. The finale slows down with Chuck’s chapter on the Impala, an honorary lead on the show. Endings are never easy and Kripke knows. He reaches straight for the heartstrings (how dare he), and brings us back to where it began – family – as past memories of the Winchesters flash on screen.

Great shows seldom grace the small screens, much less manage to stay off the cancellation danger radar. But Supernatural, like the Winchesters, is resilient and has survived for a good five years. The writing isn’t always the best, but it never fails to entertain, interest and touch the heart. Constant intrigue follows the strong plots that invoke thoughts on questions like how we define morality.

With tears and sacrifice, Swan Song would have been a perfect ending even if the series was never coming back. Though by god, we will miss it. From the endless movie references, hail to Led Zeppelin moments… And how can we forget its amazing catalogue of classic rock from Kansas to Warrant?

Of course, the fans are “always gonna bitch”. Somewhere, some time, we will always be hearing shouts of “Damn it, Kripke!” as the credits roll. But hell, with this satisfying finale, this might just be one of those quieter Thursday nights.