Music Recs: Enforcer, Hellyeah, Baroness

Music Recs is an attempt at regular Friday content, the sharing of good music that I found this week, and honestly, just an excuse to promote my favourite old/new bands.

Enforcer – Die For The Devil

The 80s live on in Enforcer, who continue to bring new noise and energy to the scene. Die for the Devil reclaims the Swedish band’s top spot in the ranks of modern metal, their revamped sound yet retaining their heavy influences and Lucifer references. Having seen them live once, I would never mind a second ticket to their show.

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Review: The Dirt (2019)

The Dirt (dir. Jeff Tremaine, 2019) – Mötley Crüe dishes the dirt on how they came to be one of the most notorious rock ‘n roll groups in history.


Unapologetically wild, The Dirt delivers a disappointingly shallow play-by-play of Mötley Crüe’s chaotic frivolity.



The Dirt is in every way an affront to modern society, where strong women reign and amoral heroes are often frowned upon. It is thus unsurprising for vitriol to befall the Crüe stories of sex, drugs, and rock n’ roll, back in an era long gone. Much of the criticism is sadly rightful, this coming from a Crüehead who has been eager for the film.

Faithfulness is far from its fatal flaw, as one may expect. Accuracy is of little importance in a biopic, and even if it is, the insane stories are mostly true. Any readers of The Heroin Diaries and the titular biography would know that The Dirt is as accurate as the band’s drug-addled memories allow.

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Music Recs: O.R.k., Bloodbound, Black Pistol Fire

Music Recs is an attempt at regular Friday content, the sharing of good music that I found this week, and honestly, just an excuse to promote my favourite old/new bands.

O.R.k. (feat. Serj Tankian) – Black Blooms

System of a Down may not be releasing a new album anytime soon, but Serj Tankian is certainly still going strong. This time, he teams up with progressive band O.R.k., lending his prowess to their talent. Black Blooms is but one of several indelibly melancholic masterworks off Ramagehead, and LEF does well enough on his own. Even so, his emotionally charged vocal truly finds no better complement than Tankian’s powerful voice.

Continue reading Music Recs: O.R.k., Bloodbound, Black Pistol Fire

Review: Triple Frontier (2019)

Triple Frontier (dir. J.C. Chandor, 2019) – Former Special Forces soldiers plan to rob a known cartel boss, but the mission soon spirals out of control.


Focusing more on the thrills of the heist than its motivations, the thematic ideas of Triple Frontier sadly never come into fruition.



Triple Frontier opens with retired captain William ‘Ironhead’ Miller (Charlie Hunnam) standing before a hall of young soldiers, freshfaced as he had once been. He recounts his moment of post-traumatic stress induced violence in a grocery store, painfully aware of how war has changed him.

The rest of his ex-military crew has not adjusted well to civilian life either. Post-war, Tom ‘Redfly’ Davis (Ben Affleck) ends up a divorced, absent father with an estranged teen daughter. Former pilot Francisco ‘Catfish’ Morales (Pedro Pascal) has fallen into shady company, revoked of his license to fly while under investigation.

Then, we have Santiago ‘Pope’ Garcia (Oscar Isaac), who appears to have it all together. In fact, it is as though the man is ready-made for the battlefield. The now-private military advisor is the one with the big plans, gathering his A-Team to raid the home of a kingpin under the pretense of a government-backed mission.

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Music Recs: Red Handed Denial, Liliac, Bishop Gunn

Music Recs is an attempt at regular Friday content, the sharing of good music that I found this week, and honestly, just an excuse to promote my favourite old/new bands.

Red Handed Denial – Empire

Have you ever done a YouTube deep dive? Nothing weird, but the delve into the endless depth of recommended videos till you stumble upon something or someone cool, like Lauren Babic. Beyond her covers of bands from Periphery to Paramore, she also fronts the amazing Red Handed Denial. I have but one valid question about her music… does it djent? To that, they say, 0-0-1-1-1-0-0.

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Review: Glass (2019)

Glass (dir. M. Night Shyamalan, 2019) – Vigilante David Dunn tracks down the mentally afflicted Kevin Wendell Crumb in an attempt to stop his next murder.


The grounded slow-burn of Unbreakable meets Split‘s psychological terror in Glass, a brilliant culmination of M Night Shyamalan’s highly inventive trilogy.



In its concluding minutes, Split introduced M. Night Shyamalan’s most ambitious twist in his long-running career. His latest antagonist Kevin/The Beast (James McAvoy) is revealed to be sharing a cinematic home with David Dunn (Bruce Willis), the indestructible protagonist of his brilliant early film Unbreakable.

At first glance, the two disparate characters in the same universe seems an outlandish idea, which makes Glass a particularly gutsy sequel. And while Unbreakable earned (deserving) plaudits following its lukewarm early days, the bold move also assumed mainstream interest in a cult classic that is by now close to two decades old.

But M. Night Shyamalan’s huge bet pays off, especially when he raises the stakes by going in unexpected directions. Against expectations, the first meeting of the two characters never gets to end in a hero versus villain showdown, when both quickly end up under lock and key.

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On film, fiction, odds, and ends.

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