Moon (dir. Duncan Jones, 2009) – Towards the end of his three-year stint on the moon, astronaut Sam Bell has an inexplicable personal encounter.
In his directorial debut, Duncan Jones delivers an intriguing piece of space oddity, made compelling by Sam Rockwell’s immense performance.
For some years now, contemporary sci-fi has eased on big ideas in favour of metallic drones with insatiable appetites of destruction. It is rare to see an artful entry as thought-provoking as Moon that raises fundamental questions of what humanity truly means.
Evoking hard science fiction in the vein of 2001: A Space Odyssey and Solaris, Moon unravels a gripping existential mystery in the vast emptiness of space. Intrigue sustains on conceptual ingenuity, the focus on storytelling essential for its minimal budget.
The film unfolds from the perspective of Lunar Industries astronaut Sam Bell (Sam Rockwell), who is on a solo mission to harvest fuels for Earth. Each passing year makes his home and family feel more distant, and he tries to find solace in his sole companion GERTY (voiced by Kevin Spacey).
Buried (dir. Rodrigo Cortés, 2010) – A truck driver wakes up in a coffin, buried alive with only a lighter and a cell phone.
This claustrophobic thriller has us rooting in terror for the victim’s unlikely survival.
A quick and painful death is often preferred, but Paul Conroy (Ryan Reynolds) has very little choice. Waking up in a wooden coffin, he finds himself buried alive with nothing but a lighter, a cell phone, and sand that fills by the minute.
Set entirely within the oblong box, Buried is a suffocating watch. Despite the simplistic premise, director Rodrigo Cortés racks up tension with the claustrophobic setting and a pointed script. Conroy’s scarce inventory offers little chance for escape, and the film shows no disillusion. Hope wanes as the civilian truck driver struggles to stay calm in the tight space, while trying to figure out the reasons for his imprisonment.
1st October marks the month of Samhain, or more familiarly, the month when Halloween falls upon us. The special occasion calls for 31 days of horror films to celebrate before the spirit of Samhain descends.
Classics, downright badly made b-movies, new films and others you have seen over and over again. This is the month for any film that celebrates the true essence of fright. What would you be watching this year?
As an aspiring filmmaker and a long-time obsessed Tarantino-phile, I have always respected his long-time collaborator, Sally Menke. Her dedicated work is vital in making Tarantino films into the masterpieces that they are. What she did was nothing short of brilliant, while she has always been a huge inspiration towards many working in the film industry.
Her death is undoubtedly devastating, not just because she was brilliant and passionate in her string of work. Working alongside Quentin Tarantino since the days of Reservoir Dogs, she was not just a collaborator. She was also family. Every member of the cast and crew valued her work, as did the audience. We will always remember the greetings over the b-roll.
The news of death is never that easy to take. Despite being complete strangers, nothing takes away that connection you have with the people you look up to. Menke’s unique and brilliant editing style, has proved to be, and always will be one of the greatest contributions to cinema history.
Constantly talking about his influences, instinctively launching film discussions in interviews, and slipping in generous numbers of references in his scripts – Quentin Tarantino’s open passion for the cinema makes himself an easy target for the critics.
Feeding on the public’s love for controversy, many strive to pick on every vague similarity to extant films and call it theft. But are these accusations fair?
Originality is almost scarce after countless years of existence even before records began. To put it in broad terms, the world has plenty of room for similarities and coincidences. Even the man himself has once proclaimed, “I steal from every movie ever made.”
Yet, is it homage or theft? When it comes to a creative medium like film, it is hard to see it as either.
Devil (dir. John Erick Dowdle, 2010) – A group of people are trapped in an elevator and the Devil is among them.
Horror fans are in for a treat, should Devil be only the first of more to come from The Night Chronicles.
After a streak of brilliance in The Sixth Sense and Unbreakable, director M Night Shyamalan seemed to have lost his spark. While Signs and The Village showed his knack for suspense, senseless twists were starting to irk audiences. Things looked fairly bleak as disasters followed since Lady in the Water.
So it comes as a welcome change as Devil sees Shyamalan step away from the director’s chair. Quarantine director John Erick Dowdle takes charge of his small-scale horror film, working with a solid script from Hard Candy‘s writer Brian Nelson.
The minimalist story opens with the vast city landscape of Philadelphia, where a jumper leaps off a skyscraper to his death. In that very building, five strangers soon find themselves trapped within the confines of its claustrophobic elevator. Deaths start to occur with each power surge, and suspicion quickly turns them against each other.