After another unintended break due to life beyond the Internet, here lies the final list that may allude to the year we would love to forget. Enjoy disagreeing with my personal favourites!
10. Wolf – Feeding the Machine
Six years after their last album Devil Seed, Swedish metallers Wolf returns with a brand new line-up to full throttle with Feeding the Machine. Frontman Niklas Stålvind is the last original bandmate standing, anchoring the group with his signature vocal that fortunately hits all the right notes.
The infectious energy doesn’t quite match that of their best work in Ravenous and Evil Star, with which they might have peaked too early. For the most part though, the song remains the same as the solos speed on while the riffs charge forth.
Continue reading “Favourite Metal Albums of 2020”
I’m late to the party, but here’s the first of 2 volumes of my favourite albums in 2020. 10 rock records, 10 arbitrary rankings, you know the drill.
10. Philip Sayce – Spirit Rising
The guitar solos are on fire in Philip Sayce’s Spirit Rising and no fan should be surprised. The virtuoso’s technical axe skills remain impeccable as before, while his passion and attitude shine brighter than ever in every note.
Granted his 2012 stunner Steamroller is tough to beat, his latest album comes pretty close to taking the top spot in his discography. His music speaks for itself, proving his place as one of the best blues-rock guitarists today.
Continue reading “Favourite Rock Albums of 2020”
This has been a tough year for movies, where streaming services threatened cinemas more than before and major film productions came to a halt. May 2021 bring about better luck for us and the film industry both.
Before we return to the theatres next year, here’s looking back at the strange year we had, as defined by the films I personally loved. These exclude ones that almost made it, namely: Black Box, I’m Thinking of Ending Things, and Eurovision Song Contest for the gift of Ja Ja Ding Dong alone.
10. The Invisible Man (dir. Leigh Whannell)
Abandoning the bandages get-up for a high-tech suit affixed with micro-lenses, the new incarnation of Invisible Man has certainly gotten a visual upgrade. More than green screen magic is the story that brings out more grounded invisible monsters within toxic relationships.
Escaping the pitfall of taking on remakes, Leigh Whannell has his own story to tell. Who knew that his movie would be the last cinematic experience that I would have had for the next 6 months, but I couldn’t have chosen a better film to mark a temporary break from my favourite place on this planet. (review)
Continue reading “Favourite Movies of 2020”