Work has kept me away from writing this week. But I do want to keep my Postaweek series going. So I’m cheating with a story that I wrote a few years ago. In place of trigger warnings for the violence that lies ahead, I will instead quote one of my favourite authors Neil Gaiman:
“What we read as adults should be read, I think, with no warnings or alerts beyond, perhaps: enter at your own risk.”
Rain fell that night. Rafe and I drank from the dark skies for the first time in weeks. We embraced, but our smiles did not last. As comforting as the weather had been, it did put out the last of the fire we built. A makeshift tent was no match for wrathful winds either.
Where we eventually slept, or at least tried to, was on soft mud in a cold cave. Persistent hunger pangs woke me throughout this fitful night. My heart pounded as every brief moment of shuteye ended with dreadful nightmares. Rafe did worse, running a high fever after the downpour.
It had been two long weeks since our last meal – a doe with a pike through its tender neck. What little fighting chance it had against the strength of desperation. As Rafe roasted its flesh over the roaring fire, I mourned. Not for the doe, but for us. Every hunt had since turned up empty, each shorter than the last.
Continue reading “Ravenous”
Special thanks to Dan Robinette and 4 Leagues Media for sharing this fantastic film with me.
Abandoned by his mother, a blind boy Solomon lives alone in the forest, abiding by his mother’s three rules of survival. He gives back to the forest that provides for them. He seeks comfort in the song they share. Above all, he never lets go of the rope that he is tethered by.
Clocking in at just around ten minutes, Tethered turns in a well-made and suspenseful horror short, much on par with a good number of full-length features. A dark cloud of foreboding drifts in place from the very start, as his mother warns of danger over her chilling recording.
Continue reading “Short Film Review: Tethered”
Mercy (dir. Chris Sparling, 2016) – Four estranged brothers return home to visit their dying mother, but are thrust into a fight for survival of their own.
Bungled execution takes the spark out of an ambitious film, where potential sadly peters out.
Netflix original Mercy is a risk-taker. Lavish with twist and turns, the film leaves conventions at the door and provides little clue as to where the plot is heading. Such unpredictability can often make a mystery gripping. Frustratingly, unwieldy execution leaves us with nothing but a thoroughly perplexing enigma.
Things start off slow in the familial affair, where four brothers convene in their old home. Their mother Grace is dying. A visitor shows up with a mysterious bag, urging the family to end her suffering. Speculations lead to an ensuing moral dilemma of euthanasia. But that theory comes to naught as masked men intrude and threaten a restless night ahead.
Continue reading “Review: Mercy (2016)”
Let’s Be Evil (dir. Martin Owen, 2016) – Three chaperones are hired to supervise some gifted children, who live and learn through augmented reality glasses in an underground controlled facility.
An inventive concept starts off strong but ultimately proves embryonic, delivering neither satire nor thrills.
It is not difficult to believe the future that Let’s Be Evil envisions. After all, the new generation already spends most days wired up to their devices, preferring the screen glare to the sun. Then, it is not difficult to imagine either, the power that big tech corporations wield over youths. It is a scary thought. Google was even once impelled to assure us of their corporate morals in their motto, Don’t Be Evil.
A play on that very slogan, Let’s Be Evil sees these fears realised, as technology is used to cultivate youths into obedient learning machines. In what is known as the Posterity Program, gifted children are raised in a high-tech facility, where their worldview is controlled through artificial intelligence and augmented reality. Automation fully manages their strict regime of study, sleep, repeat.
Continue reading “Review: Let’s Be Evil (2016)”
Slasher (dir. Craig David Wallace, 2016) – Sarah Bennett returns to small town Waterbury where her parents were killed, only to find the past re-emerging as a new series of murders begins.
A trope-embracing genre tribute by horror fans, for horror fans. Slasher dishes up a bloody good time, all in the name of fun.
Moving back to the town where your parents were murdered, is a bad idea. Just ask Laurie Strode. But Sarah Bennett (Katie McGrath) clearly hasn’t seen enough horror movies to stay away. The youngest victim left alive by The Executioner chooses to move into that very crime scene in Waterbury, Canada, with the support of her loving husband Dylan (Brandon Jay McLaren).
There, Sarah reveals her true intent – to visit Tom Winston (Patrick Garrow), the now-imprisoned killer who orphaned her on Halloween 30 years ago. But closure becomes the least of her worries, when a new Executioner begins enacting copycat murders with a biblical twist. Seven deadly sins guarantee a growing body count. And in this small town where secrets breed and resentment boils, everyone is a suspect.
Continue reading “Series Review: Slasher”
Residue (dir. Alex-Garcia Lopez, 2015) – After a massive explosion in the city centre, photographer Jennifer Preston uncovers a government conspiracy and more unsettlingly, the paranormal.
Don’t expect a fast-paced thriller with a perfect resolution. Residue is a slow-burning albeit promising pilot, made to build anticipation for what is to come.
Make no mistake. Residue is excessively drawn out, and maddeningly inconclusive. That doesn’t mean it is not worth a watch. Set in a dystopian near-future, the aspiring Black Mirror episode is a plodding yet assured pilot that promises things can only get better from here.
Intrigue lies in the compelling premise of this sci-fi/horror mystery thriller, where a massive explosion on New Year’s Eve leaves the city centre in quarantine. The measure is ostensibly in place due to contamination from a bio-weapon facility. But any X-Files aficionado will be loath to take the official word for it.
Continue reading “Series Review: Residue”