In Hollywood, Ridley Scott can hear you scream. After backlash against ambitious prequel Prometheus, the seasoned Alien director admitted that he knew how the fans were frustrated and “wanted to see more of the original [Aliens]”. And so in Alien: Covenant (review), he ramps up the monstrous terror and holds back on philosophising.
Still, not everyone is enamoured with his latest venture. For all that is flawed with Alien: Covenant, many complaints fall upon the same point of contention: the baffling flute scene. In it, David (Michael Fassbender) places a recorder/flute in his doppelgänger’s hands.
“Watch me, I’ll do the fingering,” he says to Walter, teaching him the art of music in an intimate test of his loyalties. But is there something more in this act of eroticism than pure evocation?