Three Billboards Outside Ebbing, Missouri (dir. Martin McDonagh, 2017) – A year after her daughter’s murder goes unsolved, Mildred Hayes takes it upon herself to challenge the local authorities.
Dark and funny as with McDonagh’s usual brand of wit, Three Billboards Outside Ebbing, Missouri takes an incisive and thoughtful look into the complexities of humanity.
There are no clear-cut protagonists in Martin McDonagh’s works. From In Bruges to Seven Psychopaths, the writer-director takes interest most in morally grey characters, whose values are often corrupt either by upbringing or circumstance. Similarly, amorality and righteousness are indefinite in his latest masterwork, Three Billboards Outside Ebbing, Missouri.
The story centres on Mildred Hayes (Frances McDormand), a woman who demands sole responsibility out of police chief Bill Wiloughby (Woody Harrelson) for her daughter’s unsolved murder. Her commissioning of the damning billboards is driven by a want for justice and more so by wrath, however misplaced.
The characters are fascinating. In her dogged prosecution of the cancer-stricken Wiloughby, it is easy to dismiss Mildred as an unsympathetic and almost cruel woman. It is easier still to hate Jason Dixon (Sam Rockwell), an irredeemable cop who repeatedly escapes consequences for his acts of police brutality and unconcealed racism.