Tag Archives: reviews

Review: Brightburn (2019)

Brightburn (dir. David Yarovesky, 2019) – A ship crash-lands on Earth, bringing with it a child who proves to be something far more sinister.


Brandishing the violence that Superman is capable of, the reimagined mythos however squanders the more interesting questions of the ‘why’ and ‘how’.



Kal-El, an all-powerful hero who can as easily save humanity as he can, destroy. Thank Krypton for Jor-El, who shares his faith in humanity with his son, just as his foster parents Jonathan and Martha Kent showed him every reason to use his powers for good.

His family pushed him upon the path of good, believing that Man deserves salvation and hope. But what if he had chosen different?

Away from Kent Farm in Brightburn is the very antithesis of the Superman we know. Finding out who he truly is, Brandon Breyer (Jackson A. Dunn) sees himself as superior to mankind, and ravages the planet that he believes to be weak.

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Music Recs: Dirty Honey, Black Coffee, Northlane

Music Recs is an attempt at regular Friday content, the sharing of good music that I found this week, and honestly, just an excuse to promote my favourite old/new bands.

Dirty Honey – Fire Away

They have toured alongside Goodbye June, Slash, and The Who. Dirty Honey is rapidly gaining ground in the rock scene, as they should. Just listen to their first EP, chock full of bangers from the heavy riff-driven When I’m Gone, to soulful ballad Down The Road.

For the uninitiated, Fire Away is the perfect place to start. This is modern rock at its finest, with frontman Marc Labelle’s stellar vocals on display. Could Myles Kennedy have finally met his match? 😉

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Review: Pet Sematary (1989 / 2019)

Pet Sematary (dir. Mary Lambert, 1989 / Kevin Kölsch and Dennis Widmyer, 2019) – In rural Maine, Dr. Louis Creed and his family discover the secrets of an old pet cemetery in the woods near their new home.


While Mary Lambert’s adaptation of King’s grotesque terror has long left an indelible mark, the new Pet Sematary cuts commendably deeper into the subject of grief.



Acceptance never comes easy for the bereaved. When the grieving are loath to let go, they become haunted by their guilt and regrets. Proclaiming that dead is sometimes better, Mary Lambert’s film adaptation of Pet Sematary brings these inner demons across the barrier in literal terms.

In rural Maine, Louis Creed (Dale Midkiff) learns of a burial ground beyond the pet cemetery. He goes against warning of its dark magic and buries his family cat Church after its passing, only to witness its return. Tragedy soon strikes and takes three-year-old Gage Creed (Miko Hughes). But this time, Louis knows that he no longer has to deal with grief.

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Short Film Review: The Tattooist

It has been seventeen years since Robert Schwentke’s Tattoo, and due time that we had another proper ink-inspired horror. Clocking in at just under two minutes, The Tattooist fills the void and makes every second count.

Despite a narrative that suffers from the nature of short films, director Michael Wong designs every flash of a moment with brilliant intent and stunning precision. The experimental work sees a woman going prone for ink in ordinary tattoo parlour. Upbeat jazz puts up an inviting façade that soon takes a sharp turn into disquieting orchestration.

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Music Recs: Ren, FFDP, Hacktivist

Music Recs is an attempt at regular Friday content, the sharing of good music that I found this week, and honestly, just an excuse to promote my favourite old/new bands.

Ren – Jenny’s Tale

Sometimes, all you need is a guitar, a story, and an insane amount of ungodly talent. Ren proves it, singing his macabre tale of Jenny on the streets of Brighton with not much beyond his striking spoken word and flair for theatrical lyric.

Part murder ballad and part alternative anthem, his infectiously rhythmic composition bursts with powerful emotion and staying power. This is no one-off either; there is much devastating beauty in his other personal works. Ren is one to watch.

Continue reading Music Recs: Ren, FFDP, Hacktivist

Review: Us (2019)

Us (dir. Jordan Peele, 2019) – A family’s beach vacation turns into a living nightmare as they come to face their violent doppelgängers.


Following Get Out, Jordan Peele presents another fiercely intelligent and thoughtful sophomore work, though its ambitious narrative fails to bear the weight of scrutiny.


Review (Warning: Spoilers)

Once upon a time, there lived a happy family, each with suffering shadows whom they knew nothing about. Then came the day when their doppelgängers broke their silence and rose above ground, demanding to take their places.

As a home invasion thriller, Jordan Peele’s sophomore horror effort Us succeeds as an original masterwork of sustained tension. The horrifying premise puts an original spin on the home invasion trope, revealing The Strangers to be more than familiar faces.

A brilliant cast make the uncanny duplicates grotesque through subtle actions and crooked smiles.  Michael Abels’ score with its chilling vocalisations work well to go along. But amongst its many technical accomplishments, what genuinely stirs interest is the meaning that Us urges its audience to infer.

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