Sausage Party (dir. Greg Tiernan & Conrad Vernon, 2016) – Some food products are about to learn the truth about their purpose.
From the guys behind This is the End comes a predictably raunchy and often objectionable comedy, amusing for what it is.
After eight years in gestation, the passion project of Seth Rogen and Evan Goldberg is finally born. Enter Pixar’s defective cousin Sausage Party, which will leave unsuspecting audiences audibly aghast and possibly outraged.
Somehow managing to land a willing investor, this sausage-starring rated animation turns out as raunchy and juvenile as what you would expect from Apatow’s Frat Pack. For the lot who knew what they were getting into, this kooky project works better than it should.
Continue reading “Review: Sausage Party (2016)”
Lucid Dream (dir. Kim Joon-sung, 2017) – After the abduction of his son, Dae-ho attempts lucid dreaming, an experimental psychiatric therapy that enables patients to access lost memories.
Better enjoyed as a dramatic thriller than science fiction, Lucid Dream owes more to its excellent cast than the jerry-built plotting.
When an elusive memory is all you have to find your missing child, what wouldn’t you give to relive it for a glimpse of a clue? That is what drives Dae-ho (Soo Go) to revisit the day of his son’s abduction over and over again. Assisted by neurologist So-hyun (Kang Hye-jeong), he repeatedly reconstructs the scene in hopes of uncovering forgotten details, even if the experimental therapy comes at a cost.
Entering the dream world is nothing new but a rehashed concept, which The Cell and Inception have put forth on a grander scale. Lucid Dream sets itself up for inevitable comparisons to its spiritual predecessors, but makes a lesser mark in terms of stunning visuals or layered storytelling.
Continue reading “Review: Lucid Dream / Lusideu deulim (2017)”
Sandman Slim (Richard Kadrey, 2009) – After eleven years in Hell, James Stark plans his return to Earth for revenge and absolution.
Ever wish Hellblazer‘s run went on a little longer? You may want to add Sandman Slim to your reading list.
Beware the monster who kills monsters, be wary of Sandman Slim. After eleven years of torture in Hell, James Stark has hardened his heart for vengeance. Now, the magician is reborn out of hell fire, almost bullet-proof with a knack for snarky comebacks.
Imagine John Constantine and his flair for the dark arts. Leave his usual British quips aside, and thrown in some American colloquialisms. Make sure his cigarettes, black humour, and massive ego stay intact. There, you have yourself a picture of Stark, a familiar but worthy anti-hero ready to unleash his rage back on Earth.
Continue reading “Book Review: Sandman Slim by Richard Kadrey”
Shimmer Lake (dir. Oren Uziel, 2017) – Local sheriff Zeke Sikes investigates a bank heist gone wrong, where a trio of small town criminals that includes his own brother appears to have skipped town.
A gratifying black comedy that comes up short on the characters front.
Touted as an inventive crime thriller told in reverse, Shimmer Lake may risk misleading hopes for a complex mystery noir à la Memento. But the Netflix original could be better off finding a kin in pulp magazines. Expectations are defied in other ways, where the cast of comedians holds off laugh-out-loud humour, in exchange for subtle black comedy.
The genre works well for this severe story that unfolds in a gritty small town. Andy Sikes (Rainn Wilson) is the man of the hour, on the run after a bank heist gone wrong. Leaving a trail of dead bodies behind, the local sheriff and his very own brother Zeke (Benjamin Walker) has taken the lead in the manhunt.
Continue reading “Review: Shimmer Lake (2017)”
Wonder Woman (dir. Patty Jenkins, 2017) – When a pilot crashes on Paradise Island, young Diana learns of the conflict beyond her Amazonian world and decides to leave home for a war to end all wars.
Taking a breather from the sullen skirmishes of the budding Justice League, Wonder Woman brings hope in her faith for humanity and to the DC Extended Universe.
There are very few things I can say about Wonder Woman that has not already been said. It is empowering, tons of fun, and everything an epic adventure should feel like. But how can anyone not rave on about the first superheroine film that has risen above this male-dominated genre?
It is perfect timing too. Post-Nolan, the DCEU has gotten onto an uneven restart. The dour monotony that Zack Snyder has imposed on the new era, has long been clamouring for a new voice. This challenge falls into the steady hands of Patty Jenkins, who has previously steered Monster to tremendous acclaim, and is about the same for the Amazonian warrior.
Jenkins’ involvement is in itself a cause for celebration. Historically, there are hardly any female filmmakers in comic book adaptations. Lexi Alexander is the only one who comes to mind, with her nine-year-old Punisher: War Zone. What better joy than to watch a woman take on the task of introducing the iconic Princess of Themyscira?
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Special thanks to Dan Robinette and 4 Leagues Media for sharing this fantastic film with me.
Abandoned by his mother, a blind boy Solomon lives alone in the forest, abiding by his mother’s three rules of survival. He gives back to the forest that provides for them. He seeks comfort in the song they share. Above all, he never lets go of the rope that he is tethered by.
Clocking in at just around ten minutes, Tethered turns in a well-made and suspenseful horror short, much on par with a good number of full-length features. A dark cloud of foreboding drifts in place from the very start, as his mother warns of danger over her chilling recording.
Continue reading “Short Film Review: Tethered”