The Night Comes for Us (dir. Timo Tjahjanto, 2018) – Turning on his mission, Ito falls out of favour with his Triad crime family.
Following in the boisterous footsteps of The Raid, The Night Comes for Us invites controversy in its relentless savagery, which never lessens the evocative weight of familial bonds.
Determined to escape a life of murders on the Triad’s orders, Ito (Joe Taslim) goes on the run after sparing a child’s life. A prolonged bloodbath ensues. Sure enough, horror no longer monopolises gore in film these days. The Night Comes For Us comes at the tail end of a New Indonesian Extreme in the action scene, following the unexpected success of Gareth Evans’ ultra-violent The Raid.
As Evans moves into a more atmospheric and considerably less bloody territory with Apostle, director Timo Tjahjanto comfortably takes his place at the forefront of bone-snapping, throat-slitting, and tendon-slicing brutality. Not that he needed the cue from Evans in the first place.