Wonder Woman (dir. Patty Jenkins, 2017) – When a pilot crashes on Paradise Island, young Diana learns of the conflict beyond her Amazonian world and decides to leave home for a war to end all wars.
Taking a breather from the sullen skirmishes of the budding Justice League, Wonder Woman brings hope in her faith for humanity and to the DC Extended Universe.
There are very few things I can say about Wonder Woman that has not already been said. It is empowering, tons of fun, and everything an epic adventure should feel like. But how can anyone not rave on about the first superheroine film that has risen above this male-dominated genre?
It is perfect timing too. Post-Nolan, the DCEU has gotten onto an uneven restart. The dour monotony that Zack Snyder has imposed on the new era, has long been clamouring for a new voice. This challenge falls into the steady hands of Patty Jenkins, who has previously steered Monster to tremendous acclaim, and is about the same for the Amazonian warrior.
Jenkins’ involvement is in itself a cause for celebration. Historically, there are hardly any female filmmakers in comic book adaptations. Lexi Alexander is the only one who comes to mind, with her nine-year-old Punisher: War Zone. What better joy than to watch a woman take on the task of introducing the iconic Princess of Themyscira?